About Us

About Leaferry

Quiet Adornments. It doesn’t demand attention. It simply accompanies you.

A small studio working with natural stone. We pick rough that still shows its mineral grain, pair it with braided cord and understated metalwork, and check every finished piece by hand under daylight before it goes in a box.

Checked by Hand
Every finished piece is inspected under daylight — surface, weight, setting — before it ships.
Stones Vary
Grain, inclusions, and color shift from piece to piece. That is the material, not a defect.
One Price
The price you see is the price. No strikethroughs, no countdown timers, no seasonal markdowns.
The first piece: a pale green carved stone leaf pendant on a black cord, resting on a wooden desk
The first pieceNot for sale

This one isn’t for sale. I made it for my daughter a few years ago, before Leaferry was a shop. Everything else here is checked the same way — by hand, one at a time.

01 / What This Is

A Short List, Before You Buy Anything.

What we make, who makes it, and what this shop is not.

Natural Stone, Worn Every Day.

We make pieces for people who keep wearing the same two or three things for years — who like the weight of real stone and don’t need it to sparkle. Everything here is sized and finished to survive a commute, a workday, and a normal amount of neglect.

What it is

  • Natural stone. Jade, quartz, labradorite, opal. Cut from rough, so grain and color shift from piece to piece.
  • Metal chosen to suit the design — antiqued bronze, plated finishes, tarnish-resistant alloy, or solid 925 sterling silver. The listing names the one used.
  • A small studio. One person checking every order, working with a handful of specialized workshops.
  • Everyday weight. Pieces made to be worn, not stored.

What it isn’t

  • Not fine jewelry. No heirloom diamonds, no investment pieces.
  • Not identical. You won’t receive the exact stone in a photo — you’ll receive one cut from the same rough.
  • Not one metal across the range. Bronze, plated finishes, alloy, and solid 925 silver all appear — the listing tells you which.
  • Not seasonal. No drops, no countdown timers, no fake markdowns.
Studio Catalog Explore by category
02 / How It’s Made

Four Things That Have to Be True.

How the stone gets chosen, who makes the piece, what gets checked, and how to keep it.

Curated in Small Workshops. Checked One by One.

Pieces come from a few specialized workshops — wire settings, braided cord, stone cutting. We choose stones for grain rather than uniformity, and every finished piece is checked by one person under daylight before it ships.

01 · Geology

The Grain Stays

We look for stones that still show where they came from — grey-green jade with cloudy patches, labradorite that shifts as you turn it, quartz with visible veining. Polished to a uniform finish, a stone stops being interesting. We pass on those.

No filler, no filters
02 · Workshops

Specific Hands, Specific Techniques

Wire settings come from one workshop, braided cord from another. We don’t claim every piece was forged in a cabin by hand — what’s true is smaller: each part is made where that particular technique is done well.

Small workshops · no romance
03 · Inspection

Checked Under Daylight

Before anything is boxed: clasp tension, cord knots, sharp edges against the skin, and a wipe-down of the stone.

Every piece, every order
04 · Care

The Whole Routine

Take it off before swimming, showering, or perfume. Store stones apart from harder metals so they don’t scratch. Plated finishes will wear with daily friction — that is normal, not a fault. Wipe with a dry cloth.

Dry cloth, separate pouch
03 / The Origin

An Engineer’s Eye. A Father’s Start.

How one jade pendant, made for a daughter, turned into a shop.

Founder’s note · Aiden

It Started With One Stone That Was Never Meant for Sale.

Before Leaferry, I spent more than ten years as a software engineer. My days ran on logic, screens, and systems that updated by the millisecond. At home, as a father of two daughters, I wanted to make something physical that belonged to a slower clock.

The first piece I ever shaped by hand was a small jade leaf pendant for my daughter. That evening I sat down with a rotary burr, a water tray, and a piece of rough stone — and for a few hours nothing else was in the room. It was never a business plan, and it was never meant to be sold. The pendant is still in our house.

We don’t sell shine. We take something that sat in the ground for millions of years and put it in your hand.

Working that stone taught me two things. Natural grain has a presence no factory plastic imitates. And an everyday object feels different when someone has actually held it, checked its edges, and cared about how it sits on the skin.

Today I run Leaferry on that same standard — clear specifications, real quality checks, and personal accountability on every order.

Aiden
Founder, Leaferry · [email protected]
Bench records One pendant
The first pendant held between two fingers above a work tray dusted with white polishing grit
I · In the gritShaping over the water tray. White stone dust on the thumb.
The same pale green pendant resting on a light wooden surface after carving
II · Off the burrFresh-cut veins on the desk, before stringing.
Shown strung at the top of this page

Why the name “Leaferry”

Leaf/liːf/ · origin

The first green thing out of the ground. It doesn’t hurry.

Ferry/ˈfɛri/ · vessel

A boat crossing water. Slow, steady, no wake.

04 / What Arrives

What Shows Up at Your Door.

Packaging, care guidance, and shipping — the practical part.

Four Layers, Ready to Hand Over.

Jewelry is usually bought for a birthday or an anniversary. Every order is packed layer by layer — it survives transit, arrives ready to give without repackaging, and leaves you with a box worth keeping.

The full packaging set laid out on a wooden desk: a deep coffee-brown mailer box with a printed sticker, a green rigid jewelry box, a printed care card, a folded cleaning cloth, and the necklace in a sealed pouch
The outer mailer opened, filled with pale paper shred
I · OpenDeep-brown mailer, paper shred inside.
The parcel wrapped in brown kraft paper and tied with a green cord bow
II · UntieKraft paper, green cord.
The piece wrapped in white tissue, sealed with a round Leaferry sticker
III · UnwrapWhite tissue, round seal.
The green textured drawer box pulled open to show its black lined interior and ribbon pull
IV · KeepGreen drawer box, black lining.
01 /

A Green Drawer Box

Textured paper over board, with a black ribbon pull and a dark matte lining. Left unprinted on the outside so it stays useful on a dresser.

02 /

A Sealed Pouch Around the Piece

Each piece is sealed in its own EVA pouch before boxing — it keeps moisture out in transit and stops the cord and setting taking a knock against the box.

03 /

An Outer Mailer, Sealed with a Sticker

A rigid deep coffee-brown box, closed with a printed fold-over sticker rather than tape. Inside, everything is bedded in paper shred so nothing shifts in transit.

04 /

A Care Card

When to take your piece off, how to store it, and what not to do. One card, no small print.

05 /

A Cleaning Cloth

Soft, folded flat, big enough to actually use. Complimentary shipping across the United States on orders of $89 or more.

Quiet Adornments.

Find the One You Keep Coming Back To.

A small catalog of natural stone and understated metalwork — checked by hand and shipped from one studio.

Free U.S. shipping over $89 · [email protected] for returns